"Composers are responsible for writing original music for films. They write scores that guide the audience through the drama, increase films' emotional impact, and give them atmosphere."
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- Creative Skill Set
About Christopher Tyng
Christopher Tyng is a songwriter, composer and producer, he has a diverse composing history including working on films such as The Associate and The Girl Next Door, and television shows such as Fox's The OC, Comedy Central's Futurama and USA Network's Suits.
Television:
98 Episodes
Futurama (1999-2013)
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59 Episodes
Suits (2011-2016)
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51 Episodes
The O.C. (2003-2005)
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40 Episodes
Rescue Me (2004-2007)
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11 Episodes
Covert Affairs (2010)
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10 Episodes
The Job (2001-2002)
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6 Episodes
The Michael Richards Show (2000)
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4 Episodes
The Knight Rider (2008-2009)
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2 Episodes
Game Over (2004)
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1 Episode
Kröd Mändoon and the Flaming Sword of Fire (2009)
Video Games:
The Simpsons: Wrestling (2001)
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The Simpsons: Road Rage (2001)
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The Simpsons: Skateboarding (2002)
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Futurama (2003)
Film:
Bookies (2003)
Finding Amanda (2008)
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Short Films
Futurama: Bender's Big Score (2007)
Futurama: The Beast with a Billion
Backs (2008)
Futurama: The Lost Adventure (2008)
Futurama: Bender's Game (2008)
Futurama: Into the Wild Green
Yonder (2009)
Lost & Found (2016)
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TV Movies
The Diamond of Jeru (2001)
To Love and Die (2008)
Composer Work
Portfolio
The Identity Use
Suited to a moment of clarification or realisation for Lauren, whether it be when she begins to find out about her mother's secret, or later in the story when she realises that she was replaced.
The Identity Use
This piece of music could accompany the scene of Lauren and Ethan following her father Frank and discovering that he's having an affair, as it builds up a process that feels like a journey, and ends suddenly for a surprising moment.
The Identity Use
This soundtrack keeps the intensity that the rest of the programme's music would have, but instead focusing on a positive atmosphere. This music could work for either Ethan and Lauren's love scene, or the ending of the series.
The Identity Use
The intense build up of this piece of music would highly suit a few moments within the series, from either Lauren leaving to go to London when emotional, on her way to introduce herself to her parents at the end of episode two, or again when she realises that she was replaced.
The Identity Use
This softer piece of music would work very well for the beginning of the series, when we see pregnant Helen fall in love with a couple's unborn baby in 1989, as it allows for a less intense introduction into the series.
The Identity Use
This highly dark soundtrack would be perfect in the build up to the climactic scene in episode three of Amanda tying up and trying to kill Lauren, when Lauren is walking alone through the dark house and Amanda knocks her unconscious.
Tyng's composing work on Suits is the exact soundtrack style needed for The Identity. It has a slick, modern feel that can allow either drama, darkness or even lighter, more easy going moments. His work would bring out the drama and emotion of the miniseries extremely well.